next up we’ll be switching the format and presenting to you our first ever vinyl release. were absolutely thrilled that grim lusk will be bestowed with that honour, and we couldn’t be any more proud.

patrick siech follows up on his last two parabel releases with a mindbending four track ep. analog produced techno that nourishes mind, body and soul.

exile is the next level basecamp of johannes heil. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

fresh on francis harris kingdoms imprint comes adamo golans seven track lp, exile and the new. golán is the alter ego of british-german artist laurens a. schmidt, who has been pursuing a more club-focused techno project, while developing an ever deeper fascination with experimental music, ambient and film scores. drawing influence from his adopted homes berlin and currently london, the 26-year-old has been uncompromisingly trying to develop his own musical voice

fat beats records is proud to present baker’s dozen, an exclusive series that shines a light on the best minds of instrumental hip-hop, ambient, and electronic music. each installment gives one artist carte blanche to capture their signature sound. every volume’s limited vinyl pressing features one artist and twelve tracks, and comes equipped with a 5x7” postcard insert that features a photo of the artist’s workspace along with the equipment used in their music-making process

fist & shout is the debut release from glasgow band leatherette - currently now known as total leatherette - and the first to be released on domestic exile. recorded at the now infamous green door studios, the album is a raw, visceral interpretation of instrumental post-punk, no wave, drone and industrial, complete with a fully immersive and foreboding gothic atmosphere.

sue zukis inaugural recorded document the we are all very anxious tape is in our opinion one of the most innovative audio expeditions that has resonated with us. boldly defying and deconstructing conventional genre tropes we arent being bias by saying that either. this is a genuinely sincere perspective. the key to sue zukis music is her vocals where she misanthropically preaches the records themes of psychological alienation and despair, trapped within an augmented virtual reality. whilst trapped and unable to properly function inside this distorted simulation there are the bewildering sounds of a thousand voices and every conversation unhealthily looping inside yourre mind, through the echo chamber. manifesting into a bleak neurotic obsession and feelings of inadequacy, a desperate plea, blinded and fatigued by the unnerving glare of the computer screen, processing too much information and not knowing if the human interactions youre experiencing are genuine or artificial.

10 years after blu and exile released their magnum opus below the heavens, the california duo have reunited to release 14 tracks from the original 2007 sessions. in the beginning: before the heavens contains previously heard songs and unreleased gems – the best of the best chosen from over 40 songs in the vault. their third collaboration follows 2012s give me my flowers while i can still smell them, and is slated for an october release. in the beginning: before the heavens is made of up songs that are raw and untouched, keeping the authenticity of blu and exile’s creativity at the time. the album has guest appearances from familiar names like dr. oop, donel smokes, aloe blacc, and blame one. while soul provider, another day, and party of two appeared on blus lifted ep, the majority of these songs showcase blu rapping at his peak, maintaining his underground attitude as he dishes on reaching star status (constellations), getting radio play (on the radio), or opposing views in a problem-ridden world (youre gonna die someday). exile, meanwhile, builds a golden hip-hop era feel with head-nodding samples and dj scratches.

exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

2017 repress! exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

due to confusion, martianman 004 will follow martianman 002. martianman 003 will be released after martianman 004. exile dub is an amen monster. the mind is a soul pride tune, spaced out and deep. support from rumbleton, double o, mantra.

limited color lp + flex 7 inch disc.

it is a big temptation - whilst striving to place oneself on the map - to favour and repeat established structures and norms in order to gain fortune, fame and power. to cripple a work of art under pressure of commercial success and to trade the uniqueness of a creative spark for an egoistic idea means using a calculating mind to overrule art and emotions. but this pulse of an artist is not his mind but his heart with which he exposes his energy and vibration through frequencies. for this reason there is only one way which retains the creation in its innocent spontaneous form in order to stay true to its inspirational core. the path of resistance! (johannes heil)

long awaited repress of this amazing masterpiece as very limited white vinyl edition. what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. ‘black light’ sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

acid anthem! exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

limited to 300 hand-numbered copies produced by exile, inspired by the artist formerly known as prince purple vinyl.

exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

four tracks of back-to-basics, no-nonsense techno from derek plaslaiko.

the mysterious but widely acclaimed r-zone series roll on to a 15th ep now with a new four track release that is as essential as ever. opener hired gun is a tough and raw concoction with coarse, snappy snares, rough drum pings and lots of abrasive texture all making for a physical listening experience. midwinter is a deeper and more emotive jam with warm pads dampening down icy hi hats and busy synth work. it is fresh and original and sounds like little else, then captive gets all deep and space-y with smeared pads and slick metallic hits tied together with a molten acid line. lastly, exile is five blissful and beautiful minutes of atmospheric, intergalactic electronic sounds that really take you to another place

second release on ostcode exile records by fran hartnett from dublin. 4 straight techno tracks to drive your mind to another place. early support from surgeon, bens sims, truss and sunil sharpe !

sold out! what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. <black light> sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story: >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

vinyl-only! first grienkho ep with a remix from the low-fi-tech-freaks lucretio & marieu aka the analogue cops this time as xenogears.early support from lucy, paula temple, chevel, sinfol and clouds.

exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

das erste release auf ostocode exile in limitiertem weißen vinyl vom leipziger oliver rosemann, welcher derzeit als eine hälfte von dualit erfolge auf earwiggle, eartoground und sogar clr feiert, liefert mit chest einen hypnotischen & rauen techno track. dazu gibt es auf der chest reworks ep einen remix von dualit, sowie vom argentinier luis ruiz und von espen lauritzen aus norwegen, welcher das label krill music betreibt.

exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

this compilation collects ciullinis self released domestic exile cassette (1983) as well as other selections

exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

very limited copies !!!

three track 12 inch appendix from the big brontosaurus legacy. featuring the sought after vinyl must haves from arto mwambe >noh ngamebo< and >btwo< plus the slow disco chugger and prins thomas favourite >ray rider< by the exile missile

with the >exile e.p.<, we proudly present you the 10th release on our deep circus label. the 10th release is always a very special event for any label, and so we are very pleased that we were able to get two great artists involved: flatner and hermanez, who delight us once again with a great piece of work by the name >exile<.
supported by alan fitzpatrick, butch, martin eyerer, joel mull, markus schulz, benno blome, dole & kom, reboot, piemont, anderson noise, solee, lars wickinger, quenum, patrick kunkel, paco osuna, oliver schories, noir, steffen brucker, nicolas duvoisin, steffen baumann, lars moston, xenia beliayeva, fred siera, david phillips, brendon collins, danjel esperanza, erwin kelemen, sebastian oscilla, hans tavera ...

limited kanzleramt classics!

2010 war ein unglaubliches jahr für fritz kalkbrenner, der mit seinem debütalbum sowohl bei kritikern und publikum unglaublich erfolgreich war. nach >facing the sun< folgt mit dem instrumentalen club-burner >kings in exile< nun die zweite single. die maxi punktet noch mit einem der superraren remixe von booka shade, außerdem steuern die suol-macher chopstick & johnjon noch eine famose house-version bei.

classic rolling stones album from 1972, 2010 rereleased on double 12 inch vinyl in gatefold sleeve.

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

single taken from radio album with exclusive vocal version with muhsinah (foreign exchange) and remix by sa ra creative partners shafiq!

very limited 12inch taken from >listening tree< album, first come, first served! support comes from ricardo villalobos!!

the super sharp exile missile boys are back. chris beisswenger (cb funk, arto mwambe) & his former roommate philipp lange deliver their second ep called rayrider after the groundbreaking sidewinder 12” in 2006 which only sold 300 units. exile missile take their time and release 100% bullet-proof material only. so you really don’thave to worry that this could be a shitty record. …ahh and of course: ...massive breakdown in the middle and a cool hihat phrase-shift around 15:27 with super satellitesquesynth workouts and and and... oh yeah, heavy support from all the big jocks around loving the a side and droppingthis at peaktime in the big room... you know the deal

the term >ballad< is written similarly in many languages of the western hemisphere. it is a antique word. you can find its etymological origin in the latin verb >ballare< - which means >to dance< - and the greek verb >ballein< - wich means >to move<. a ballad is always a story told through music. in recent times the term >ballad< is often associated with greasy / absurd pop music. what a shame! ballad inc. releases tracks that earn the label >ballad<. on our first release >exile< you can listen to the epic story >high hopes of salvation< by quietpoint and to two short stories by xdb. >anilem< and >jupit< got everything a ballad needs. of course you can dance to it. of course you can move your body. but this should not be the main issue! there is so much more in modern instrumental music. who needs words to tell a story?

supported by prins thomas, ata, pete herbert, radioslave, stevie kotey !! the proto dance mayham continues. next up on the young and promising frankfurt based label brontosaurus are the exile missile consisting of christian beisswenger aka cb funk and his roommate philipp lange, both residing in the beautiful city of compton / düsseldorf. their sidewinder ep is a tribute to the black klaus kinski: bobby brown – one of the most irritating and glamorous figures in r&b – a wolf amongst sheep. raw and snotty dance tunes from the chalk-faced rough neck version of the new edition. to complete this mega-hit 12inch no other than bear entertainments italian boy wonder & nephew of adriano celentano: fabrizio mammarella plays the guitar and delivers an insane laser-cosmo journey through the outskirts of dancemuzak

gunjack aka brian gibbs is known for his banging productions on respected labels likes sheep, arms and pornographic and now he released 4 pounding bassdriven monsters on audio assault !!

megaphat phreakin break beat infected tech tracks

exile began his musical career in 2000, releasing drum & bass on labels such as beta and moving shadow, but as the years progressed, his sound started to become more complicated and abstract. this was mostly due to his obsession with the reaktor software, which enabled him to spend much of his time creating new and interesting sounds from scratch. his debut full-length, 2006s pro agonist, saw him add elements of breakcore to his constantly mutating yper-breakbeats, but that gradual change in style is nothing compared to the total departure that hes taken on listening tree. long-term fans may be shocked to know that listening tree is peppered with exiles own vocal tracks, as he tackles issues such as britains buy-now-pay-later culture, and even the dynamic nature of the universe on family galaxy, the first single. >family galaxy< is about the constant process of change that underpins everything, explains exile. its a tale from a thingless world where nothing stays the same. as now shines its shifting shades on then, so our ideas of what we have done and will do continually morph.the result is an eccentric electro-pop album that is just as likely to appeal to fans of hot chip as it is otto von schirach

blu has collaborated with renowned artists like the roots, logic, miguel, mf doom, anderson .paak, freddie gibbs, aloe blacc, roc marciano, slum village, evidence, and more.

limited red vinyl lp plus bonus 8 inch.